Wedding Invitations and Design

I’ve wanted to work on Wedding invitations for a while and I’ve played around with some personal ideas, but after working with one of my friends last year for her wedding, I learned more about the process and I am thinking of more and more ideas and excited to work on more.

Bouquet Jake & Lindsay

If you are interested or know someone who is looking for wedding invitations have them e-mail me at

I also work on Logos and Branding and am available for commission for business design. I’m actually working on a logo for a friend right now. Keep your eye out for that!

Wedding Invite Cost

$200 for Wedding Invitation Design

$25 additional cost for Invitation Insert

I can handle printing for you or you may find your own printing services. I print at the University Press Building in Provo Utah. They usually print in about a week to a week and a half, but keep in mind additional time if you need the invitations shipped to you and how much time it will take for you to address and ship the invitations to your guests. Plan to correspond with me at least 2 months before your scheduled date.

Our Sister’s Sorrow: Event Synopsis

I wanted to let you know more about what actually happened at this event and to introduce you to our special guests who were able to contribute to our Forum Program. In addition to giving support to the Center for Women and Children in Crisis, we wanted to really learn more about what women’s issues affect us locally. We invited some wonderful people who are involved in these issues and who work so hard to make our community a better place to speak about their areas of expertise.

We were so excited to have Jennifer Blosil come and share some of her music with us. Jenn has a powerful voice and music that touches everyone who hears it with her soul and genuine nature. She sang about true beauty that comes from within and she played a gorgeous rendition of ‘I Heard the Bells on Christmas Day’ which shares a story of grief and overcoming.

We heard from Niwako Yamawaki, Associate Professor of Psychology. Her research specializes in understanding how sexism and gender roles affect the perception of violence against women. She shared some startling statistics and the psychology of women who suffer in domestic violence situations. We were glad to hear the truth of these circumstances that occur in our community and to understand that these situations are complex and difficult but they are real.

Rachelle Call has been a part of the Center for Women and Children in Crisis and she told her inspirational story of how she turned her struggles in an abusive relationship into something positive. She has rebuilt her life and become a prominent musician in the local community. We were honored to have her share her story and music with us.

Sariah Collard represented the Center for Women and Children in Crisis as our final speaker. She works as a member of the Rape Crisis Team and as the Sexual Assault Outreach Coordinator. She will discussed some of the services that CWCIC offers and she shared about the joy it is to see people heal from their pain.

Zane Harker performed the music that he has composed specifically for this event. His music is inspired by the themes found in the Book of Job from the Bible of struggle and redemption. His contemporary compositions poignantly struck on the tones that encompass the overall topic of discussing issues of how personal strife is often misunderstood and dismissed by the community at large.

Before and after the forum there will be some time to walk around the exhibition of art that explores the same themes in the form of narrative paintings depicting the story of Job with a female character. These pieces have been created by Normandie Luscher with the specific ideas in mind of the personal journey of trial and triumph. Each of the paintings will be available for purchase as will prints of each of the paintings. All proceeds will be donated to the Center for Women and Children in Crisis.

We are so grateful for the people who came to support and participate in this cause for women’s issues in our community. We hope that the event had an impact not only monetarily but emotionally. We hope that we all can be moved to help lift our sister’s sorrow.

The prints and paintings are still for sale with partial proceeds benefiting the Center for Women and Children in Crisis until January 12th. The paintings are currently being exhibited at Brigham Young University in the Harris Fine Arts Center Gallery 303 foyer. Any purchased paintings can be  picked up/delivered after January 12th.

Prints and paintings can be purchased at my etsy shop:

Event Speech



Let me tell you a bit more about this exhibition and where it derived from.

This project has been a part of a collaboration in association with the Laycock Center. These art pieces served as the visual aspect in a fundraiser for the Center for Women and Children in Crisis that I hosted with my co collaborator Zane Harker. This event has been in the works for quite some time and Zane and I are so overjoyed that was able to become a reality. We appreciate the Laycock Center for enabling this event to happen and we’ve been so grateful to work with the Center for Women and Children and Crisis and the Women’s Studies Program at BYU and the many other people who have helped. Also I would like to thank my mentors who have helped me in developing this project. Matt Ancell has been a very gracious and kind professor who has offered his time and resources as I embarked on creating an ambitious art series as a novice in the realm of the more fine arts/gallery work and philosophy and academia. Jason Lanegan has also been such a helpful guide in preparing my work for the exhibition and developing my concept. And of course, my illustration professors have helped me so much. Christopher Thornock and David Dibble have helped me to push my art work and they have helped to brainstorm ideas to make this project more innovative.

This project has gone through quite the evolution. I dabbled with the idea of creating a ballet, which the dance department informed me was far too ambitious and we started with many different ideas, but I’m so happy that we’ve been able to channel this project into something that is hopefully more beneficial for us as the Provo community.

Two years ago I went through my first experience of having an existential or quarter life crisis, which left me feeling quite distraught. I try not to judge my younger selves so I look back and try to appreciate my naivete and how it helped me to progress. And I do appreciate that that experience led me to several different important steps in my personal journey, but two of the significant places that I came to was women’s issues and Job. I’ve determined that the Book of Job in the Old Testament is not the type of story that you choose, but it is a story that chooses you and as it happens, the story of Job seemed to come to me through a variety of avenues, including Terrance Malik’s film The Tree of Life, multiple professors and the story just seemed to grab me by the shoulders and insist that I become a part of it.

The questions that Job asks become so poignant during a time of struggle and I was taken with his honest investigation of life’s troubles and how he tried to grasp for truth in the midst of confusion, disappointment and abandonment. ‘What is man that thou shouldest magnify him? But where shall wisdom be found? And where is the place of understanding?’

He asks the questions that we are not always brave enough to ask and risks the chastisement of his dearest friends who can’t offer any satisfactory answers and wonder, ‘How long wilt thou speak these things? and how long shall the words of thy mouth be like a strong wind?’.

It is difficult to know how to help someone when they are distressed and when facing a problem that is greater than we can understand as shortsighted humans. It is common to offer simplistic answers that ‘everything will be ok’, ‘if we do what is right then all will be well’ and when we continue to watch our friends continue to struggle we may suggest that it’s time to move on or ask ‘How long wilt thou speak these things?’

As I started studying women’s issues and learning about the devastation of human trafficking, which is a problem globally and is probably a part of our community in some form and on local levels there is domestic violence, depression and crippling anxiety, disorders and self esteem issues and other tragedies that hinder women from experiencing opportunities, success or even just joy.

These two themes began to merge and the story of Job became less about Job, and it became more about the questions themselves and how they cross through all of our lives and specifically the lives of women.

I thought about how these questions affect women, mostly because, I am one and I had a lot of questions about womanhood. I wondered about what does it mean to be a woman to me? What role do I play? What role do women in general play in our community? How can women and men build healthy relationships? How do we as women talk about emotional issues without being perceived as whiney? Where does my value come from?

As I talked with women from the Center for Women and Children in Crisis I learned of stories of deep devastation, power struggles, abuse and difficult issues.

Then there came the questions, ‘Who deserves to be treated in such a way? Why would these things happen? Why would someone demean another human being, or a loved one so deeply?’ And the questions that became most important to me was, ‘What do we do to stop injustices and how do we make our community a place where domestic violence and verbal, physical and sexual abuse doesn’t occur?’

Job asks, ‘How hast thou helped him that is without power? How savest thou the arm that hath no strength?’

At the end of the Book of Job, God reaches out to Job and offers the Leviathan as a symbol for the great atrocities of the world. The treacherous and undefeatable sea monster is terrible and unconquerable, a match that only God can vanquish. The answers to Job’s questions aren’t necessarily given, but Job comes to understand that suffering is a part of this world.


So how do we face our own leviathan and how do we reconcile our sister’s sorrow? How do we ease the pain and the suffering in our community? How can we contribute to helping when these problems seem too overwhelming? How do we help when the advice or help we have to offer seems obsolete? What do we do when we struggle with these difficulties ourselves?


I in no way hope to replace God or offer that we can draw the leviathan with a hook and uproot any problems in our community completely. I know this exhibition probably won’t do much to change the world at large and I don’t know if it will do very much to make our community a better place, but I hope to say that I did what I could do to spark a conversation that continues to seek for answers to these questions. I hope that as you take a few moments to reflect on these issues that we will remember to try and influence those around us for good and contribute to needed solutions in our community.

A Slew of Summer Work

I was so lucky to be able to work with some very talented people this summer. I just can’t convey how thankful I am to have had the opportunities to learn from Jensine Eckwall, Lily Padula, Daniel Fishel and David Johnson. These people are amazing! I just love the Illustration community.

I came back to Utah and have been pummeled with super super senior responsibilities, but I have had a chance to fix up these pieces from my mentorship experiences and I wanted to share these pieces.

While interning with Richard Solomon I was able to work with one of the artists that he represents. The artist, David Johnson, mentored me on creating a small series of pieces for the Princess and the Pea. I wanted to give the story relevance so I placed it in a contemporary setting. It just makes sense to incorporate city architecture when you’re living in NYC! I still want to take some time to do some hand type. That will be one of my Winter break projects!

Jensine and Lily were incredibly astute in creating assignments that really pushed me in my editorial work. They taught me about symbolism and various visual tools that helped me to understand where I was working successfully and where I still needed to make visual connections. The first assignment was a black and white spot illustration based on an article for the New York Times, the second was a larger color illustration to show the concept of making the best choice out of a myriad of options and the third was a book cover for ‘To Kill A Mockingbird’.

One of my personal projects this summer was my comic, ‘Fairy God Feminist’. Daniel Fishel was insistent that it was my best work, which I appreciate because, I agree! It’s also the most fun for me. I’m setting up a separate tumblr specifically for this project. Look for updates at

Graphic Novel Reviews

So maybe this is pretentious of me, but I feel like hey, if you wanna know about these graphic novels, then here’s my two cents! I read a ton of graphic novels this summer! They were the perfect remedy for long subway rides, not that I really mind those anyway. But it is one of my favorite experiences to be swept up in these visual stories that usually have such depth as well as beauty. Of course living a few blocks away from Desert Island could make anyone become a graphic novel junkie!


As a preface to this list, I wanted to note some of the motivations behind my choices. I read Tina Robbins’ book, ‘From Girls to Grrrlz: A History of Female Comics from Teens to Zines’ for a paper that I wrote on Feminism and comics. Trina gives a beautiful look at women’s roles as characters in comics and as comic creators in the 20th century. She wrote the book in 1999 and she closed with a call to action of sorts by stating, “As we come to the close of the twentieth century, the comic industry, such a vital art and communication form for over sixty years, is in real trouble”. She continues about how the industry wasn’t making enough content for women and definitely not enough comics created by women. I have been really excited to read many novels that are complex, heavy, sincere and absolutely gorgeous stories by women and though I think the audience is broader than being only for women, I certainly have enjoyed them.

Heads or Tails
I was so taken with Lilli Carre’s novel, ‘Heads or Tails’. Her elements of design are flawless and they have a folk aesthetic to them, which I am always drawn to, but the way that her images mix with her stories is absolutely stunning. Her narratives are so unique and inventive. I love how graphic novels can capture such deep emotions but in a completely approachable way, although some novels are much more nitty gritty, but Carre’s novel is complex but subtle. Just read it.

This One Summer
Jillian Tamaki was my entrance into the graphic novel genre. Her first big graphic novel, ‘Skim’ was kind of a tough one for me at first, but as I settled in I enjoyed embracing some of the tougher issues that she explores. In ‘This One Summer’ Tamaki shows the nostalgia of summer vacation but she also tells a story that contains heartbreak on really deep levels. Both of her novels also explores complex themes in the lives of adults as examined through the eyes of children, which is like, only Jillian freaking Tamaki can do that. She’s just brilliant.


How to Be Happy
I feel like every time I went to hang out with a different friend in Brooklyn, they would have this novel, which is totally understandable because it is beautiful. This novel is similar to Lilli Carre’s, in the sense that it’s so beautifully designed and the illustrations are similar and the stories are also unique, but at the same time her book is distinctly hers. Many of her themes also revolve around apocalyptic worlds and seeking a simpler and more organic time in life. My favorite story involves some fantastic space suit fashion!

Fun Home
Oh man, Allison Bechdel. Her novel tore me up, and I don’t feel like that’s a dramatic response. Her novel was by far the most dense and the most heart wrenching. Her story is of tortured souls and brooding characters, but her story is real and I’m so glad that she shared her story because it is the story of thousands and hundreds of thousands of people who have really complicated lives with difficult questions. I definitely recommend giving this book a good reading, but it’s dang heavy, as a head’s up.


Truth is Fragmentary
I really really love this novel. Gabrielle Bell cracks me up and she’s so relatable as she tells stories about losing her keys, struggling with crippling anxiety and dealing with all around social awkwardness as an adult. I also love that she wrote the novel when she was living in Williamsburg, which is where I was a the time when I read this, so it pretty magical knowing the locations that she talked about and even some of the people at the local shops. Her book is less focused on the illustrations and more about the stories, but her book is so charming and I highly recommend it!

Get Over It
Definitely a winner of the summer! If I just get real for a second here, I saw this book when I was going through a gut kicking break up and I had to buy it and as I read it every page held moments of ,’yep’ ‘uh huh’ ‘I completely understand this feeling right now’. I adore her illustrations so so much and I think she talked about the experience of a break up in way that is so witty and enjoyable and she creates the perfect balance between angst and humor. Her novel has definitely been an influence on the comics that I’ve been making and honestly I have been responding to her statement that it was embarrassing that it took her three years to get over her break up. I just felt like, ‘Don’t be embarrassed girl! Break ups are the worst!’

This is my staple. Marjane Satrapi is one hard core rockin’ woman! I love her story and I think it’s so important to hear from a voice like hers from a culture that is so unfamiliar to us. While an entire culture can not be analyzed by one graphic novel, she gives wonderful insight into Iran during the Islamic Revolution. She is spunky and witty while also discussing political conflict, which may not sound appealing, but I think I enjoyed it the most out of all of the novels I read this summer. It’s truly an enriching read. It’s one of those makes ya laugh makes you cry novels but in a really nice way. Who doesn’t love a punk rock, memorabilia smuggling, rebel girl? Love it!

My Sister’s Sorrow (The Job Project) Update

Sister's Sorrow Promo

Ok are you ready for it?

My collaborator and talented composer friend, Zane Harker and I, have great news. Our project proposal was accepted and we will be receiving a grant to enable our fundraiser for the local women’s shelter to come to fruition! We have been secretly working on this project for a year and now we finally have gotten to a place where we can say with absolute certainty that we are going to be able to turn our dreams into a reality and hopefully we’ll be able to create an event that is impactful on the community through art and music.
The event will consist of open viewing of the final paintings that I have created and music that Zane has composed around the theme of struggle and redemption. We will also have a short forum where speakers from the Center for Women in Crisis and BYU’s Women’s Studies Program will be able to talk about women’s issues in the local Provo/Orem area. We will also have some very special musical guests, including Jennifer Blosil and Rachelle Call and Jessie Clark Funk.
The event will take place early in December. We will let you know as soon as we get the date pinned down which will be very soon.
Thank you so much for your help and support in enabling this project to succeed and we look forward to sharing our journey with you over the next two months and hopefully you all will be able to help this event succeed, but most importantly we hope that we’ll all be able to work together to make our community a better place!
Thank you,
Normandie Luscher and Zane Harker

Fairy God Feminist: Short Film Promo

Hi! I know I’ve been the worst lately, but I promise that I’ve been making a TON of art! Including my latest obsession, online comics :O I really am obsessed though and I love it.

To check out what I’ve done so far make sure to visit my tumblr page. I’ll also be starting a new tumblr specifically for my comic, which is ‘Fairy God Feminist’. I can’t help it, I just think it rocks hard core. And that leads me to my announcement that one of my comics, ‘Depression Derby’ is coming out as a short film next week! I told you I’ve been working hard!

Oh my goodness I have so many exciting announcements on the way, including some pretty big and exciting news that’s coming tomorrow. I know! You’re on the edge of your seat! Well you’ll just have to be patient :) But hopefully those comics will tie you over, eh?

Fairy God Feminist: VIDEO-TRAILER

If you haven’t seen it all of my new stuff, make sure to follow me on the social fun times media:


Instagram: @NormandieIllustration

Twitter: @norm071


New York Tour of Art

This summer was filled with so much art, which must indicate that it was a fantastic summer, and it was! So I thought I would let you all in a few of the exhibits that I was able to see.

Sketching at the Met
I was so overwhelmed by the amount of art in the Met. I’ve only been a few times and I’ve come to the conclusion that it is going to take me a lifetime to get through it all. I really enjoyed sketching for hours in the Museum. I think that there is something so magical about art museums and getting to know different eras and generations through their art.

Brooklyn Museum of Art
Some of my favorite exhibits were at the Brooklyn Museum of Art. There was the Ai Weiwei exhibit, which I loved!!! I really appreciate when art is used for advocacy and sharing opinions. Some people think that he is too extreme in his methods, but I can’t help but admire his passion for art and speaking out against issues that he feels are wrong. All of his works are powerful, but I was particularly moved by ‘Straight’, a sculpture that he created by detangling and straightening the steel bars that failed to hold up building structures, including several schools, in China during the Sichuan earthquake in 2008.

I also really enjoyed ‘Submerged Motherlands’ by Swoon, a Brooklyn artist. I’m not gonna lie, I really liked that her exhibit was like an Anthropologie window display, but way way cooler.

And Soljee Lee and I totally geeked out on Judy Chicago’s feminist art, especially her piece ‘The Dinner Party’, where Chicago created dinner places for significant women through history who upheld feminist ideas. Love it.

Lynda Barry
I was so giddy when I found out that Lynda Barry’s exhibit of comeeks were showing during my visit! I love her cheeky wit and sass mixed with deep and serious social commentaries and analysis on various aspects of being human. How is one woman so cool?

This piece affected me the most and I’ve been trying to stop doubting myself in my own art making by trying to not worry too much if my art sucks. Art making is good people! Always!

BOSI Contemporary
I had some fun going to gallery openings with Kelly and Heather, my two Brooklyn buds! Kelly works at BOSI Contemporary, so we went to see the opening of “The Loss of so many” by David Mellen. The exhibit is still up until August 23!

Kelly also took me to a great gallery where they had live music. These girls are so talented and beautiful and I love their music.

Stay tuned for updates about all of my favorite comics and graphic novel finds from this summer!